Digging for
Gold
We were
talking about the old days
when we
perched
skirts
akimbo
on
kerbstone of our road
holding in
our sticky fingers
a lolly-pop stick
liberated
from a HB Choc Ice.
In silent contemplation
where only
five-year olds go
we dug for
gold in black seams of
melting tar
sun burning
our necks red.
These women knew their place
for Aileen and Mรกire
We plant a
garden
on cleared,
re-seeded ground
to remember
new beginnings
look
towards the hills of Hollyfort
where hope
dared to dream
in the
tobacco fields and ditches.
We plant
three granite stones
for
remembrance
a path to
lead the way
a flag to
fly
in the face
of despair.
These women
nursed their visions
never
faltered in the chase
for in the
story of this land
these women
knew their place.
This poem is in 2016 Commemorative Garden, Hollyfort,. May 2016
Moving the dream on
It took me twenty years
to climb the attic stairs
twenty years of
poetry, spells
and sound cures
to ease a wheezing chest.
It was waiting for me
by the water tank
where I left it -
a turquoise shell
silver locked with
a handle stout enough
to hold a young girl’s dream.
A traveller
I carried this case
from Dublin to London
rented flats to owner-occupieds
Tunbridge Wells to Wexford
packed each attic with strings of time
watching it, watching me,
danced around its hinges.
Today I wipe the dust from
my over-weight luggage
heave it down the stairs and
unpack your love-blue letters
to carefully unfold, read
and shred.
Poem written im Aaron Wright
Faces
long
cold
vacant
washed out
from the outpouring
thin
young men
shades of yesterday
jaws shoulders
straining
from the weight
of his coffin
empty of what made him
outstanding
heart, eyes, lungs
filling
hope of others
leaving his mourners
memories
of his smile.
Poem written (and read) at the marriage of my son in August 2014
The
Coupling
She carries him
in
the folds of her dress
crease
of her elbow
smile
of her hips
or knotted fast in the roots
of her jet hair
like a child’s comb.
He carries her
in
the blue of his jeans
the
furrow of his brow
pride
of his shoulders
or bedded in his lyrics
on white sheets
strewn across the day.
A monument to famine of 1845
Trekking Mount Nebo
over Fort of the Holly
I hear tell of a mass grave
lost in the bracken of time
a simple, shallow pit
dug by a local gravedigger
a refuge of want.
He remembers it well
my neighbour,
the green patch
planted with faceless stones
a boundary of low hedge
to carefold
the uncoffined.
He remembers also
another digger in these woods
excavating the unwritten
scattering the footholds.
No headstones mark
the mount’s face now
only dogs mark the bones
in this lost village
there is no yard to sweep
nothing remains only wilderness.
I wrote this during one of our poetry therapy workshops in New York (Aug '13)
It is a myth
born in reality
that day
in a quiet residential
neighbourhood
when overcome
with excitement
I sprint
across
the quiet road
to greet my dad -
the swish of my skirt
in the drag
of a passing car
still haunts him.
This is a found poem - after an article by Cathy Newman inNational Geographic.
In my nocturnal garden
the moon borrows
light from the sun
illuminates the night stage
where the dramatis personae
are luna moths with
wings the colour of caledon
scarab beetles
iridescent as opals and
wildly fragrant blooms
unfurling in darkness
like jasmine.
This is a shadowy place
a place where the leaves reach
for the faintest glow
and are transformed
in a monochrome
of silver and grey
all colour washed away
over head the great ghostly
barn-owl sweeps silently
across the moon-blooming
water lilies.
Yet the perfumed night
is nothing more than a wily plot
and the faint outline of shapes
all some night workers need.
In this universe
cankered flower desiccated leaf
the rotted branch
silvered by star-shine
are swallowed by shadows
to leave only an illusion of
perfection
and me to my night of dreams.
I wrote this poem after reading Women who run with Wolves.
La Loba
If you could track her down
as you would a she-wolf
in the desert
crawl on your stomach through
mountains and damp caves
gathering lost bones
and in the mouth of your fire
piece together the last
rib of white sculpture,
raise your arms and sing
flesh onto bone
fur onto flesh
until a snarl starts
the lungs with a rush
if you can do this
then you’d see
a wondrous creature
run into the desert
laughing like some wild thing
and you will run with the one
who lives under your skin.
Here is a poem written during the Therapeutic Writing workshop in Falmouth
The visitor
I will invite meanness
into my house
help him off
with his coat
hang it on the back
of his chair
sit him down
offer him
tea and biscuits
and I will invite him
to turn out
his empty pockets
onto the table
then,
in my calmest voice,
in my calmest voice,
ask him
why he has so little
when others
have so much.
Sorcery in Caheraderry
The home grows from a ring fort
through the clay of Caheraderry
as we fish lines of syllables
from grey Liscannor stone.
Across a marshy field, flag irises
shine through this greener grass
oversee the lift and return
of two coffin stools
legs turned vermicular and
splayed to take the load -
appanages of dignity that lightly
held a master’s weight a month ago.
And like the sorcerer’s apprentice
we witness the breaking of a spell
as coffin stools turn back
into occasional tables.
Two poem from the booklet that accompanied our recent DVD.
From Shed Poets' DVD BookletYou can hear me read these poems by clicking the link belowHear my poems from Shed Poets DVD here |
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